Stillform by Yui Onodera & Arovane

Stillform is a meeting of kinesthetic restraint and sonic precision. The album’s aesthetic lives in reduction - sparse motifs are carved out with care, micro-rhythms and attenuated textures bloom and dissolve with measured control. The collaboration reflects both artists’ shared interest in how minimal elements can create profound aural spaces: Onodera’s spatial sensibilities and Arovane’s keen melodic structuring converge to offer a listening experience that is simultaneously intimate and expansive.

Across the record, you’ll find sounds that are accentuated rather than overcrowded, subtle movements tha­t draw attention to the material presence of each tone, and carefully shaped silences that function like pauses in thought. Stillform is not music of insistence but of invitation - an album that rewards deep listening and reveals new details with every pass.


About the Artists

Yui Onodera is a Tokyo-based composer, sound artist, and architectural acoustics designer whose work bridges environmental sound, experimental composition, and spatial awareness. With a background in architectural acoustics, Onodera approaches sound as a form of spatial design - tones, reflections, and resonances are treated as material elements shaping invisible sonic structures. His practice blends organic field recordings, acoustic textures, and digital processing, often revealing subtle shifts in tone and texture that evoke the quiet interplay between nature, structure, and time. Onodera has released works on respected international labels including Room40, Kompakt, and more, and has collaborated with artists across experimental and contemporary genres. His ongoing work as a lecturer and creator of sound installations speaks to his commitment to listening as a way of reimagining place and perception.

Arovane is the recording name of German electronic musician and sound designer Uwe Zahn. Active since the late 1990s, Arovane’s music has been central to the evolution of IDM, ambient, and experimental electronica, characterized by its warm melodic sensibilities, richly textured synthesis, and intricate rhythmic design. Zahn first gained attention with early releases like Atol Scrap and Tides, and after a hiatus returned with a prolific series of albums that continued to expand his sonic language. His work is marked by a unique fusion of melancholic melodies, finely processed beats, and an organic approach to digital sound, traversing the border between introspective ambient listening and detailed electronic composition.

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